Japanese cinema, too, operates on a different axis. While the Academy Awards celebrate Drive My Car (2021), the domestic box office is dominated by anime films ( The Boy and the Heron ) and kankō eiga (disaster or ensemble dramas like The Confidence Man JP ). The yūtopia (utopia) of the cinema experience is still prized: premium Bunkamura theaters offer wine and leather seats, while local minitheaters screen independent works that would never find distribution elsewhere.
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At the heart of Japan’s music industry lies the Idol phenomenon. Unlike Western pop stars, who are often marketed on the premise of unreachable perfection and individual artistry, Japanese Idols are marketed on the concepts of kawaii (cuteness) and accessibility. Japanese cinema, too, operates on a different axis