Despite her father's cruelty and the hardships of her new life, Rajni remains steadfast in her devotion, eventually witnessing a divine miracle when her husband is cured in a sacred pool—a site now known as the Dukh Bhanjani Beri at the Golden Temple. Cast and Creative Team
This paper examines B.R. Chopra’s Bibi Rajni (1960) through a feminist lens, analyzing its portrayal of female agency, patriarchal oppression, and class conflict. While the film adapts a medieval fable, its themes remain relevant to modern discourses on gender and power. The study critically evaluates the film’s narrative structure, performances, and social commentary.